Please note… event details can change at the last minute, so please confirm all information before attending.
Also.. for any event that did not supply an end time, the end times are defaulted to 2 hours after the event begins. The actual event may last longer, so please plan accordingly.
Welcome to the 2018 Oktoberfest
Every year in October, the German-American Social Cub of Cape Coral organizes “Munich in Cape Coral”. The Cape Coral Oktoberfest is the largest party of the year in the community! It is THE event for fun, good food, freshly poured domestic and German beer, live music on several stages, laughter, dancing – with or without the chicken hat -simply put – it’s that famous German Gemütlichkeit.
Join us for this year’s Oktoberfest for two big weekends of fun
October 19–21 & October 26–28, 2018
Hours are:
Fridays: 4pm -12am
Saturdays: 12pm (Noon) – 12am
Sundays: 12pm (Noon) – 8pm
Please feel free to invite all your friends and family!
For more information, please visit: www.capecoraloktoberfest.com
Tag and post your pictures with: #CapeOktoberfest
Every Saturday and Sunday in October!
9am-5pm
Free admission and parking!
Save the dates! More information coming soon!
Southern Fresh Farms will be hosting their 4th annual Fall Festival! There will be hayrides, a petting zoo with the original farm animals, vendors, photo opportunities, music and a pumpkin patch!
*This festival will occur every Saturday and Sunday in October. Here are links for the other weekends:
-October 6th and 7th: https://www.facebook.com/events/475637116219301
-October 13th and 14th:
https://www.facebook.com/events/426004967912655
-October 27th and 28th:
https://www.facebook.com/events/2125649734380285
Interested vendors, please email for more information:
TiffVergowven@Gmail.com
The dazzling tribute to Broadway, New York City and the world of musical theatre high-kicks its way onto the Broadway Palm stage! Aspiring chorus girl Peggy Sawyer heads to NYC and quickly lands her first big gig in the ensemble of a glitzy new Broadway show. Just before opening night, the leading lady breaks her ankle which might give Peggy a chance to step in and become a star! 42nd Street sparkles with some of the greatest songs in musical theatre history including We’re In The Money, Lullaby Baby, Shuffle Off To Buffalo, Dames, I Only Have Eyes For You and the title song 42nd Street.
Join us for our Hogoween! Saturday we’ll have a Chili Cookoff, a pumpkin patch, and more! Day 2, the pumpkin patch will be back, we’ll have free sandwiches and chips, ice cold drinks, and a relaxing fall Sunday! Let’s get festive!
Welcome to the 2018 Oktoberfest
Every year in October, the German-American Social Cub of Cape Coral organizes “Munich in Cape Coral”. The Cape Coral Oktoberfest is the largest party of the year in the community! It is THE event for fun, good food, freshly poured domestic and German beer, live music on several stages, laughter, dancing – with or without the chicken hat -simply put – it’s that famous German Gemütlichkeit.
Join us for this year’s Oktoberfest for two big weekends of fun
October 19–21 & October 26–28, 2018
Hours are:
Fridays: 4pm -12am
Saturdays: 12pm (Noon) – 12am
Sundays: 12pm (Noon) – 8pm
Please feel free to invite all your friends and family!
For more information, please visit: www.capecoraloktoberfest.com
Tag and post your pictures with: #CapeOktoberfest
When Bernard’s wife decides to visit her mother for a few days, he makes plans to spend a romantic weekend with his chic, new, Parisian mistress in his charming converted French farmhouse. He invites his friend Robert as an alibi, but when his wife finds out Robert will be in town, she changes her plans for a surprise tryst of her own. An evening of sidesplitting confusion ensues as Bernard and Robert improvise at breakneck speed!
Born out of Northern California’s chaotic, late-1960s musical stew, The Doobie Brothers’ rugged, real and authentic approach to rock and roll made them biker bar stalwarts. But their self-titled debut album in ’71 went beyond just leather and motorcycles, revealing even more musical layers; sweet three-part harmonies and rootsy, introspective, acoustic flavors.
The Doobie Brothers’ legacy has been built upon not just hit records, but also an unrivaled commitment to musical integrity and a steadfast allegiance to their enthusiastic fan base. The bands ability to evolve in a constantly changing industry and connections to generations of listening audiences is a testament to their craft.
It all began in 1969, when a drummer named John Hartman arrived in Northern California. He was there to meet Skip Spence from the band Moby Grape and become part of a supposed band reunion that never quite got off the ground. But it wasn’t all for naught. Spence (who had also played in the Jefferson Airplane) introduced Hartman to his friend Tom Johnston, a local singer/songwriter/guitarist -and they connected. Hartman and Johnston began playing local Bay Area bars. They soon met singer/guitarist Pat Simmons, whose finger-style playing richly complimented Johnston’s R&B strumming-style, and the foundation for The Doobie Brothers was set.
While their debut album in 1971 did not chart, just a year a later, their second record, Toulouse Street, became a breakout sensation. Producer Ted Templeman helped the band craft a sound that was organic, yet radio friendly, and brought in Little Feat keyboardist Bill Payne to add unique musical textures.
From there The Doobies hit the road, tirelessly working their way around the world. They established themselves with a breathtaking run of hits on Warner Bros. Records that tapped into a myriad of American styles. “Listen to the Music,” “Jesus is Just Alright,” “China Grove,” “Black Water,” “Rockin’ Down the Highway,” “Long Train Runnin’” and other anthemic singles confirmed their status as fine craftsman who could also rock arenas.
In 1974, Steely Dan co-lead guitarist and session legend Jeff “Skunk” Baxter joined the band as third guitarist, one of many unique and talented players who would revolve in and out of the band over the years. The group’s expanded lineup was augmented in 1975 by Michael McDonald, whose soulful vocals and songwriting led to the hits “What a Fool Believes,” “Minute by Minute,” “Takin’ It To The Streets,” and “You Belong To Me.” Multi-instrumentalist and vocalist, John McFee, joined in 1978 bringing his wide range of musical styles and experience recording with Van Morrison, Steve Miller, Elvis Costello, and The Grateful Dead to The Doobies’ sound.
The collaborative, almost communal sense of family within the band allowed them to stay fresh and unpredictable over the years, while never forsaking their deep American musical roots, boogie-jams and all.
After a respite in the early 80s, the band reunited in 1987 for a series of gigs benefiting veterans’ groups and children’s charities (ultimately raising millions). Those shows at the Hollywood Bowl were the fastest sell-outs since the Beatles had played there more than 20 years earlier. In a Los Angeles Times poll the year before, fans voted Led Zeppelin and The Doobie Brothers the bands they wanted most to see reunite.
Continuing to record, The Doobies released World Gone Crazy in 2010, produced by Ted Templeman, and Southbound on Arista Nashville in 2014. Southbound, produced by David Huff, featured new recordings of the band’s iconic hits, with country music’s biggest stars including Blake Shelton, Zac Brown Band, Brad Paisley, and Toby Keith.
The Doobie Brothers were inducted into the Vocal Group Hall of Fame in 2004, have won four GRAMMY® Awards and sold more than 48 million records worldwide (including three multi-platinum, seven platinum, and 14 gold albums). Their 1976 Best of the Doobies has sold more than 12 million copies, earning rare RIAA Diamond status. Their No. 1 gold-certified singles “Black Water” (1974) and “What a Fool Believes” (1979) lead a catalog of hits that includes “Listen to the Music,” “Jesus Is Just All Right,” “Rockin’ Down the Highway,” “Long Train Runnin’,” “China Grove,” “Take Me In Your Arms,” Takin’ It to the Streets,” “Minute by Minute,” “You Belong to Me,” and “The Doctor.” In all, The Doobies have tallied five Top 10 singles and 16 Top 40 hits.
“We’re basically an American band – we cover a lot of areas,” says Johnston. “We cover blues, R&B, country, bluegrass, and rock ‘n’ roll. It’s based on rhythms, rhythm structures, picking, and harmonies. That’s been the signature of the band.” He continues, “You take Pat, who comes from a folk/blues background, with a lot of picking and stuff like that; he was a big fan of Rev. Gary Davis and Dave Van Ronk. I come from a blues, soul, R&B, and rock ‘n’ roll background. Then you stick John McFee into that mix. John came from a country background when he started out and was in the country band Southern Pacific. And he is a session musician – he’s played with everybody from Steve Miller to Van Morrison to Elvis Costello. If it’s got strings, he can play it.”
“We all have the same work ethic,” says multi-instrument virtuoso McFee, self-described as the “new guy.” “Tom, Pat and I are still surging ahead. We’ve stayed together as friends as well as musicians. We are compelled to challenge ourselves. I mean, I love playing the old songs. But when we’re working on new material now, I think we’re coming up with better parts. The band has always been good, so it’s kind of like we’re competing with ourselves. But honestly, we’re playing better than ever.”
Simmons notes, “We didn’t really sit around and think, ‘Oh, we need this element or that element.’ The music has always been an honest representation of whatever we happen to be working on at the time. We had all been playing music for a long time before we put the band together, and our roots influences are what come out. Those influences always overtake whatever conceptual ideas you might have. It’s always been that way with this band — you always return to who you really are.”
The ability of The Doobie Brothers’ music to connect with the essentials of people’s lives in tuneful, affecting songs has developed an audience that spans generations today. Known for their dynamic live performances, the band plays close to 100 shows a year touring worldwide, delighting concert goers of all ages.
Simmons adds, “We have a hardcore fan base that has handed our music down through the years to their children and their children’s children. Repeatedly, people go to our concerts and come up to us and say, ‘My dad turned me on to you guys years ago, and I’ve loved you guys all this time, and my kids are listening to you now.”
“And the songs that people all know, be it ‘Listen to the Music,’ ‘Black Water’ or ‘China Grove,’ are still getting played,” Johnston adds. “Any song that stands the test of time for 40 years or is getting played around the country on a daily basis – that to me is a testament to the quality of the tunes, and that they have something to say that resonates with people. I’d like to say this band has been relevant – it’s been relevant musically, it’s been relevant lyrically, and we’ve always put out a high quality of music.”
They take none of it for granted. And their music has proven to be relatable for generations since they first came together, which is why they continue to make new music. The fundamental appeal that has drawn listeners to this group for four decades may be best expressed by Simmons:
“In a certain sense, what this band has always had in common with everyone else is the word ‘hope.’ We hoped we would make some good music, and we hoped there would be some acceptance, and we hoped that things would get better in the world. In that respect, we’re just the same – we’re still hopeful about the future.”
The mere name of the band gives one hope. And it makes you think, it makes you feel and makes you appreciate the efforts of one of America’s most dependable musical outfits. It takes you back, while also helping you look ahead.
Touring Lineup:
Patrick Simmons – Guitars/Vocals
Tom Johnston – Guitars/Vocals
John McFee – Guitars, Pedal Steel, Dobro, Fiddle, Vocals
Bill Payne – Keyboards
Marc Russo – Saxophone
Ed Toth – Drums
John Cowan – Bass/Vocals
The dazzling tribute to Broadway, New York City and the world of musical theatre high-kicks its way onto the Broadway Palm stage! Aspiring chorus girl Peggy Sawyer heads to NYC and quickly lands her first big gig in the ensemble of a glitzy new Broadway show. Just before opening night, the leading lady breaks her ankle which might give Peggy a chance to step in and become a star! 42nd Street sparkles with some of the greatest songs in musical theatre history including We’re In The Money, Lullaby Baby, Shuffle Off To Buffalo, Dames, I Only Have Eyes For You and the title song 42nd Street.
When Bernard’s wife decides to visit her mother for a few days, he makes plans to spend a romantic weekend with his chic, new, Parisian mistress in his charming converted French farmhouse. He invites his friend Robert as an alibi, but when his wife finds out Robert will be in town, she changes her plans for a surprise tryst of her own. An evening of sidesplitting confusion ensues as Bernard and Robert improvise at breakneck speed!
Bob Dylan has remained, along with James Brown, the most influential American musician rock & roll has ever produced. Inscrutable and unpredictable, Dylan has been both deified and denounced for his shifts of interest, while whole schools of musicians took up his ideas. His lyrics — the first in rock to be seriously regarded as literature — became so well known that politicians from Jimmy Carter to Vaclav Havel have cited them as an influence.
By personalizing folk songs, Dylan reinvented the singer-songwriter genre; by performing his allusive, poetic songs in his nasal, spontaneous vocal style with an electric band, he enlarged pop’s range and vocabulary while creating a widely imitated sound. By recording with Nashville veterans, he helped give rise to Seventies country-rock. In the 1980s and 1990s, although he often seemed to flounder, he still had the ability to challenge, influence, and surprise listener — something he did more reliably in the late 1990s and 2000s, when he recorded some of the greatest music of his career.